Artists in residence

MUSIC
CONDUCTING

Born in 1991 into a family of Turco-Brazilian musicians, Deniz Oliveira Erdinç begins to learn the violin, cello and piano at an early age. He gave his first concert at the age of 6, with the Istanbul State Symphony Orchestra, with whom he conducted Rossini’s “Guillaume Tell” Overture. He deepened his mastery of piano with Gülnara Aziz, a pupil of Alexei Nasedkin, himself a pupil of the famous Heinrich Neuhaus, founder of the Russian pianistic school. This relationship will lead to numerous solo recitals and chamber music concerts throughout Turkey. He perfected his skills with Hüseyin Sermet, Jean-Bernard Pommier, Alexander Madzar, Laurent Cabasso and Odette Gartenlaub with whom he studied analysis, music theory and piano.

Recipient of the Cité intenationale des arts’ peer-sessions, Deniz Oliveira Erdinç also received a grant from the French Embassy in Turkey / TEV. He continues his musical studies at the Ecole Normale de Musique de Paris in Dominique Rouits’s conducting class.

Amie Oliver is an artist based in Richmond, Virginia. Her works on paper, paintings and bookworks are physically connected to place through water gathered from rivers, lakes, streams, tides and weather events.

Begun in Salzburg, Austria, this ongoing practice reflects on rivers as the arteries of civilization — carriers of memory, migration, and natural and cultural forces that shape place. She explores layered narratives embedded in landscapes across continents.

Oliver’s practice has been supported by fellowships, residencies and exchanges in the United States, South Korea, Germany, France, Austria and Tibet.

Her paintings are held in collections including Capital One, Longwood Center for Visual Arts, Delta State University, theMedical College of Virginia and Thelonious Monk Institute.

Olivia Berkowicz is a curator, writer and editor. Her practice explores the intersection of critical visuality studies and contemporary art theory, taking the form of exhibitions, residencies and writing.

Marianna Feher is an organizer, artist and researcher. Her work is often mediated through writing, performance, moving image and collaborative curating, that often investigate the ways in which social, political and interpersonal forms of power interact with and affect bodies.

Tentative Transmits is an ongoing artistic and critical research project conducted by Olivia Berkowicz and Marianna Feher during their residency at the Cité internationale des arts.

Tentative Transmits is a discursive radio platform that investigates memory, solidarity practices and anti-fascist struggles in Central and Eastern Europe. The project attempts to reclaim lost sites, spaces and narratives by transposing notions around the “former East”. The research explores archival findings on the Eastern bloc’s transnational and transcultural phenomena to reflect on post-socialist transitions as pluriversal sites of knowledge production.

Foster Mickley gives to warmth and wonder reverent and tender forms. A Lithuanian-American poet living in Kyoto, Japan, his practice holds that shared imagination revitalizes, that art expands and delights the possible.

Inscribed with-in legacies and voices including those of Emily Dickinson, Felix Gonzales-Torres and Etel Adnan, his creative process “cares for admiration, kinship and joy.” Founder of the artist space black cat day dream, his last four exhibitions have focused on the materials of seashells, blooming flowers, sea stones rounded in waves, and open books.

Foster Mickley is a master of journalism at Medill School in Chicago, fine arts at Columbia University and photography with Magnum Photo in Paris. He has engaged in artists-activists collective Antibodies Collective, Organizing Resources Together (ORT) in New York, historic artist collective Diamonds are Forever founded by Dumb Type co-founder Teiji Furuhashi, and Neon Book Club in Tokyo.

In 2022, he was selected within the Research Fellow Program of the Kyoto Institute of Contemporary Arts, and became the first artist in residence at the Field Science Education and Research Center, Division of Forest Ecology of Kyoto University in 2023.

Past exhibitions include a solo show at Munch Gallery in New York (2015), group shows in Arles Voies Off Korea National University of the Arts (2016), Harlem NYC Ilon Gallery (2016), Berlin Foto Kiez (2017), Tokyo Reminders Project Stronghold (2019), Kyotographie International photography Festival (2020), Horenji Temple (2021) and Kyoto University of the Arts (2022), Festival La Chambre Verte with Centre Pompidou (2021) and National Site of Scenic Beauty Murin-an in Kyoto (2022). His photographs and writing were published in the Asahi Shimbun, Real Kyoto / ICA Kyoto and Pioneer Works, New York City.

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Isabelle Olivier is an independent curator and producer. She has lived in Lebanon, Spain and Japan, engaged in international development, cultural diplomacy and the arts.

Her practice revolves around inclusive and supporting space, in search for forms of “anticipatory illuminations” and shared futures.

She brings together artists and writers, scholars and researchers, public servants and activists, galleries and temples, to contribute to producing transforming realities, and relating communities, constellations.

Between the development of Hors Pistes Tokyo with Centre Pompidou in 2011 and the organization of Q(WE)R International Cultures Festival in 2022, she has been a regional attachee for French Embassy at Kansai French Institute in Kyoto (2012-2016), responsible for French artist in residency program Villa Kujoyama, an international producer for artist Kohei Nawa and choreographer Damien Jalet (2018-2022), a programmer for Nuit Blanche Kyoto (2012-2016, 2019).

Other engagements include the founding support and management of Kyotographie International Photography Festival (2016-2018), multiple collaborations with Kyoto Experiment Performing Arts Festival, and exhibitions of National Living Treasures from France and Japan in Kyoto, Tokyo and Beijing.

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Foster Mickley and Isabelle Olivier are collaborating since 2020.

Their collaborations include in waves (2021), through the clouds (2022), in bloom (2022), cruising utopia (2022), and Q(WE)R International Culture Festival (2022).

In the summer of 2022, Foster Mickley creates black cat day dream, an artist run ecological space in Kyoto.

In the winter, they found black cat day dream press.

During their residency in Paris, they will make a space to welcome. Within the legacy of Cite Internationale des Arts, they will create dream of a common language, a gift project of shared quiet wonder.