Artists in residence

Each year, the Cité internationale des arts welcomes more than 1,000 artists from around the world, offering them a space for creation, research, and exchange in Paris, in the Marais and Montmartre districts. Open to all artistic disciplines—visual arts, music, literature, film, design and architecture, performing arts, and curating—it enables artists to develop their projects in an environment that fosters experimentation and meaningful connections.

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Cally Spooner

Year/s of residence : 2012, Institut français

Visual arts

Kim Spooner

Year/s of residence : 2008, FONAS (Friends of the National Art School of Sydney), Australia

Visual arts

Camila Sposati

Year/s of residence : 2012, 2013, Cité internationale des arts

Visual arts

Costas Spourdos

Year/s of residence : 1974, Private Action in favour of the Cultural World, France

Visual arts

Laura Spozio

Year/s of residence : 2025, Trame

Cinema

Jackson Sprague

Year/s of residence : 2010, Royal College of Arts of London, united Kingdom

Visual arts

Laimute Sprangauskaite

Year/s of residence : 2011, Vilnius Academy of Arts (VDA), Lithuania

Visual arts

Gerhard Spring

Year/s of residence : 2005, Carithian Government for Culture, Austria

Visual arts

Charlotte Sprogoe

Year/s of residence : 2012, Danish Agency for Culture

Visual arts

Marcelle Sprong

Year/s of residence : 2016, South African Artistic Association for Visual Arts (SANAVA)

Visual arts

David Spurgeon

Year/s of residence : 2005, University of New South Wales - Art and Design (UNSW), Australia

Spectacle vivant

Achim Spyra

Year/s of residence : 1998, Düsseldorf Artists' Association, Germany

Visual arts

Mina Squalli-Houssaïni

Year/s of residence : 2026, 2–12

Visual arts

Mina Squalli-Houssaïni

Year/s of residence : 2025, 2–12

Visual arts

Mina Squalli-Houssaïni is a swiss multidisciplinary artist and cultural organizer. Her work focuses primarily on sculpture and installation. Drawing on a formal vocabulary from architecture, design, and the domestic (mobilizing elements from her everyday life) and on personal, historical, and fictional archives, the artist develops structures that generate stratified narratives. Her sculptures and installations operate as spaces of restraint and latency; concealing, like a Trojan Horse, a plurality of political narratives. The unsaid, concealment, and anonymity thus act as strategic drivers of formal trajectories and fabulations. Her work has been exhibited at the IOAM (Beijing), Liste Art Fair (Basel), Cherish (Geneva), Lodos (Mexico), Treize (Paris), and Karma International (Zurich).