Artists in residence

Abel Techer was born in 1992 in Saint Pierre de la Réunion. After graduating from the Ecole Supérieure d’Art de la Réunion, his practice focused on the question of gender, bodies and transvestism. Through snippets of intimacy, his work is based on a constant search for the self(s), the relationship to objects and spaces.

It is a project that is largely articulated through painting, but différents mediums such as photography and sculpture, the installation reflects a research that tries to go beyond its own body, to do it differently. The body becomes an object of experimentation, of the possibilities that fantasies, the imagination, allow.

It is the search for a duplication, the creation of avatars. Try a kind of personal mythology with différents characters who are, in the end, always the same. Playing tricks, presenting them not as objects outside oneself but which are in relation with the body and more intimately, with the feeling of identity. The “I” is not one but diverse, relational, in a constant search and evolution. It is in these moments that “I” allows itself to be an object and not a subject, to be in front of the eyes and to be scrutinized. It is here that the body allows itself less readable, more blurred contours, more able to accept the possibility of moving identities.

Julie Crenn in “Where to put your head?” Edition Collection of the Frac Réunion wrote:

“Abel Techer shares with Samuel Fosso a common understanding of the disorder of the genre. His self-portraits act as screens of his intimacy and moving identity. Its androgynous features and shapes disrupt our identification criteria. In this he activates the notion of gender performativity as enunciated by Judith Butler. American feminist theorist Judith Butler sees gender as a fluctuating identity, which is transformed as each person’s life experience unfolds. She then speaks of a performativity of the kind that “is not a unique act, but a repetition and a ritual, which produces its effets through a process of naturalization that takes shape, a process that must be understood, in part, as a temporality that is held in and by culture. »

Oğuz Tecimen is an Istanbul-based writer whose work dissolves the boundaries between poetry, fiction, the essay, and philosophy.

Having studied literature, philosophy, and social sciences at Boğaziçi University, SOAS University of London, and Galatasaray University, his practice is rooted in a deep interdisciplinary tradition.

In addition to his work as an editor and translator, he is the author of four books: the récit Anakronik (Anachronic: Diary of an Untimely Man, 2019); the novel Âdem Ademoğlu’nun Boşluğu (The Abyss of Adam Absenson, 2022); the poetry collection Varlıkölçer (Ontometrics, 2023); and the critical work Eleştirel Bir Heteropoetikaya Doğru (Towards a Critical Heteropoetics, 2026). His current research focuses on the integration of literary forms into multimedia arts.

Ruita Tehoiri, also known as Ness, is an artist from Tubuai, an island in the Austral archipelago of French Polynesia. Trained in graffiti, Ruita uses his art to highlight the culture of the Australs, an artistic tradition often less known than that of the Marquesas, but equally rich and inspiring.

Passionate and self-taught, Ruita captures the landscapes and culture of his native island through murals and paintings that incorporate motifs and symbols of Polynesian identity.

Ana Elena Tejera is a Panamanian multidisciplinary artist working with film and performance. She was artist in residence at Le Fresnoy – Studio national des arts contemporains. She is working on restoring part of the Panamanian film archive at the Filmoteca de Catalunya and creating the Festival de la Memoria, a performance installation in urban spaces with political archive images and sound performance. 

She has also worked with mixing audiovisual and performance formats, which results in the piece Bla Bla Bla: an audiovisual installation, accompanied by a performance created for the 30th anniversary of the invasion of Panama by the United States, presented at the Museum of Contemporary Art of Panama. Her piece House Type 104 is also an immersive experience through binaural sound and live animation.

She is currently working with musician Floy Krouchi on a series of sound performances published for France Culture and presented at the Centre national de création musicale in Reims.

After several years of visual and sound documentation of indigenous rituals in Panama, she directed Panquiaco, her first feature film, which premiered at the International Film Festival in Rotterdam. Her latest short film A Love Song in Spanish was in official competition at the Berlinale and at MoMA.

Her first virtual reality film Mosquito: historia de una herida premiered at the International Film Festival Rotterdam. His latest sound and visual installation Las paredes saben was presented at the Ars Electronica 2022 Festival.