Artists in residence
Each year, the Cité internationale des arts welcomes more than 1,000 artists from around the world, offering them a space for creation, research, and exchange in Paris, in the Marais and Montmartre districts. Open to all artistic disciplines—visual arts, music, literature, film, design and architecture, performing arts, and curating—it enables artists to develop their projects in an environment that fosters experimentation and meaningful connections.
Tjasa Crnigoj
Year/s of residence : 2021, Institut français
Theater
Robin Crocker
Year/s of residence : 2024, Sam Fox School of Design & Visual Arts, Washington University in St. Louis
Visual arts
Pamela Croft
Year/s of residence : 1995, Australian Arts Council
Visual arts
Tamsen Croft
Year/s of residence : 1988, Cité internationale des arts
Visual arts
Zoe Croggon
Year/s of residence : 2018, Art Gallery of New South Wales
Visual arts
Alexandra Croitoru
Year/s of residence : 2013, Romanian Cultural Institute
Visual arts
Nadja Crola
Year/s of residence : 2009, City of Zurich - Culture, Switzerland, Cité internationale des arts
Visual arts
Janine Crombie
Year/s of residence : 1999, Royal College of Arts of London, united Kingdom
Visual arts
André Dawid Cronje
Year/s of residence : 1988, 1995, 2000, 2001, 2004, 2005, 2011, Cité internationale des arts, South African Artistic Association for Visual Arts (SANAVA)
Visual arts
Zoé Crook
Year/s of residence : 2016, Cité internationale des arts
Visual arts
Amalia Cross
Year/s of residence : 2023, Chilean Ministry of Culture, Arts and Heritage
Curating
Amalia Cross is an art historian, writer and curator.
Her research projects and publications focus on Latin American and Chilean art history with a special emphasis on exhibition histories, radical museology, uncommon archives and eccentric artists. Eccentric in many senses: off center and unconventional. She understands curatorship as a gesture of taking care bodies (In Spanish ‘curar’ means both heal and curatorship).
“Carlos Leppe: The most Beautiful Day” is the title of my recent curatorial project developed at the Cité Internationale des Arts. In his performance Leppe built a mise en scène for the act. The day of the performance was –as the bolero-song states– the most beautiful day, because something had happened for the very first time, something fragile and ephemeral and unforgettable. The actions – the mambo dance, a popular song, eating cake, reciting texts, screaming with pain and sitting thinking– are all different but all of them have the same sentimentality. An essential sentimental mood for political agitation and social resistance.
Ébana Garín|_@_|Ébana Garín
Elizabeth Cross
Year/s of residence : 1994, Cité internationale des arts, New South Wales Art Gallery, Australia
Visual arts
Marion Cross
Year/s of residence : 2019, South African National Association for the Visual Arts (SANAVA)
Visual arts
Sean Thomas Crossley
Year/s of residence : 2025, Wallonie-Bruxelles International
Visual arts
Joel Crosswell
Year/s of residence : 2015, Tasmania University, Australia
Visual arts
Benjamin Crotty
Year/s of residence : 2013, 2014, Cité internationale des arts
Visual arts
Reshada Crouse
Year/s of residence : 1984, South African Artistic Association for Visual Arts (SANAVA)
Visual arts
Olivier Crouzel
Year/s of residence : 2018, C-E-A / French Association of Exhibition Curators
Dance
Don Crow
Year/s of residence : 2018, Virginia Center for the Arts
Visual arts
Rosson Crow
Year/s of residence : 2006, Cité internationale des arts
Visual arts
