Artists in residence
Each year, the Cité internationale des arts welcomes more than 1,000 artists from around the world, offering them a space for creation, research, and exchange in Paris, in the Marais and Montmartre districts. Open to all artistic disciplines—visual arts, music, literature, film, design and architecture, performing arts, and curating—it enables artists to develop their projects in an environment that fosters experimentation and meaningful connections.
Slavko Milenkovic
Year/s of residence : 2004, Union of the Association of Artists (SULUJ), Serbia
Visual arts
Sofija Milenkovic
Year/s of residence : 2024, Union of Associations of Fine Arts of Yugoslavia (SULUJ)
Curating
Alex Miles
Year/s of residence : 1997, Cité internationale des arts, Tasmania University, Australia
Visual arts
Dale Peter Miles
Year/s of residence : 2012, FONAS (Friends of the National Art School of Sydney), Australia
Visual arts
Deborah Miles
Year/s of residence : 1999, Royal College of Arts of London, united Kingdom
Visual arts
Rob Miles
Year/s of residence : 2024, 2–12
Visual arts
Rob Miles, born in London in 1987, lives and works in Paris.
Starting from observational drawing, Miles deconstructs and reassembles his subject matter through the use of multiple perspectives, fragmentation, and the flattening of pictorial space. Developing his ideas through painting, printmaking and collage, he creates unusual compositions that remain in playful tension between representation and graphic abstraction. He invites the viewer to join him in an unresolved and questioning act of looking.
Taking inspiration from ancient Egyptian art, Cubism, and Oriental non-perspective, along with contemporary digital interfaces, Miles composes colourful unfolded interior spaces, and individual scenes of social interaction. Through depictions of kitchens, cafés and classrooms, or people engaged in games or conversation, he celebrates the theatrical in the commonplace, the mise-en-scene of daily life.
His more recent use of paper marquetry collage, and cut-out painted wood, further interrogates the flatness and illusion of 2D space, through the physical fracturing and assembling of the surface itself. The materiality and vocabulary of form hold an equal importance to the subjects depicted.
Rob Miles was selected for Revelations Emerige in 2020, exhibited at the SNU Museum of Art, Korea in 2022, and is represented by Galerie Catherine Putman, Paris.
Romain Darnaud|_@_|Romain Darnaud
Elizar Atanasov Milev
Year/s of residence : 2013, Sofia National Academy of Arts, Bulgaria
Visual arts
Ivana Milev
Year/s of residence : 2018, Union of Associations of Fine Arts of Yugoslavia (SULUJ)
Visual arts
Rod Milgate
Year/s of residence : 1978, 1996, Cité internationale des arts, University of New South Wales - Art and Design (UNSW), Australia
Visual arts
Daniel Milhaud
Year/s of residence : 1970, City of Paris, France
Visual arts
Ivan Christophe Milhiet
Year/s of residence : 1993, Cité internationale des arts
Music
Ludovic Milhiet
Year/s of residence : 1991, Conservatoire National Supérieur de Musique et de Danse de Paris
Music
Branka Milic
Year/s of residence : 2008, Union of the Association of Artists (SULUJ), Serbia
Visual arts
Ljubisa Milic
Year/s of residence : 2002, Union of Visual Artists of Slovenia
Visual arts
Mirjana Milic
Year/s of residence : 2005, Union of the Association of Artists (SULUJ), Serbia
Visual arts
Zdravko Milic
Year/s of residence : 1988, Union of the Association of Artists (SULUJ), Serbia
Visual arts
Nebojsa Milijasevic
Year/s of residence : 2009, Union of the Association of Artists (SULUJ), Serbia
Visual arts
Zarko Milijasevic
Year/s of residence : 2009, Union of the Association of Artists (SULUJ), Serbia
Visual arts
Zdravko Milinkovic
Year/s of residence : 1989, Union of the Association of Artists (SULUJ), Serbia
Visual arts
Ana Maria Millan
Year/s of residence : 2023, Fondation Daniel et Nina Carasso
Visual arts
The work of Ana María Millán addresses the politics of the animation and technic in relation to digital cultures and subcultures, gender and propaganda. She has developed techniques based on role playing and reenactment as methodology to make a series of plays that end in the form narrative films and video games.
It speaks from amateur cultures, pop political culture, sound territories, nature and technology, incorporating the possibilities and mistakes of the rehearsals, and narrative forms considered dysfunctional.
Her work has been shown in And we learn to keep the soil wet CARA, NY, 2023; 13th Gwangju Biennale. Minds Rising Spirits Tuning 2021; Art Encounters Biennial, Timișoara, Romania 2019; Kunstinstituut Melly (solo), Rotterdam; El ruido de las cosas al caer, FRAC Provence Alpes Côte d’Azur, Marseille 2017; Immortality for all, Savvy Contemporary, Berlin 2016; Frío en Colombia, Luis Caballero prize (solo), Archivo General de la Nación, Bogotá 2015; Ir para Volver, 12 Bienal de Cuenca, Cuenca 2014; ¿Tierra de Nadie?, Centro Cultural Montehermoso, Vitoria-Gasteiz 2011; AUTO-KINO! presented by Phil Collins, Temporäre Kunsthalle, Berlin 2009; Historias Colaterales, Centro Cultural de España, Guatemala 2008; I Still Believe in Miracles – part I, Musée d’Art Moderne de la Ville de Paris 2005.
Andres Sandoval Alba|_@_|Andres Sandoval Alba
