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Artists in residence

Each year, the Cité internationale des arts welcomes more than 1,000 artists from around the world, offering them a space for creation, research, and exchange in Paris, in the Marais and Montmartre districts. Open to all artistic disciplines—visual arts, music, literature, film, design and architecture, performing arts, and curating—it enables artists to develop their projects in an environment that fosters experimentation and meaningful connections.

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Charles De Castelbajac

Year/s of residence : 1973, 1974, City of Paris, France, Cité internationale des arts

Visual arts

Carlos De Castellarnau Artero

Year/s of residence : 2013, Cité internationale des arts

Music

Hubert De Chalvron

Year/s of residence : 1984, Cité internationale des arts

Visual arts

Claudie De Cleen

Year/s of residence : 2002, Mondriaan Foundation, Netherlands

Visual arts

Marlies De Clerck

Year/s of residence : 2017, Department of Culture, Youth and Media, Flemish Community

Visual arts

Anouk De Clercq

Year/s of residence : 2010, Flemish Government - Directorate of Arts and Heritage, Belgium

Visual arts

Hugo De Clercq

Year/s of residence : 1981, Flemish Government - Directorate of Arts and Heritage, Belgium

Visual arts

Gilbert De Cock

Year/s of residence : 1989, 1990, 1991, 1993, 1996, 1998, 1999, 2000, Cité internationale des arts, Flemish Government - Directorate of Arts and Heritage, Belgium, Wallonie-Bruxelles International (WBI), Belgium

Visual arts

Alexandre De Crombrugghe

Year/s of residence : 2010, City of Toulouse - Direction des Affaires culturelles, France

Visual arts

Antoine De Croze

Year/s of residence : 1969, City of Asnières-sur-Seine, France

Visual arts

Peter De Cupere

Year/s of residence : 2005, 2006, 2009, Flemish Government - Directorate of Arts and Heritage, Belgium

Visual arts

Nicolas De Dravo

Year/s of residence : 2007, Cité internationale des arts

Spectacle vivant

José Bruno De Faria Neto

Year/s of residence : 2010, Armando Alvares Penteado Foundation (FAAP), Brazil

Visual arts

Theo De Feyter

Year/s of residence : 1996, Düsseldorf Artists' Association, Germany

Visual arts

Ivo De Figueiredo

Year/s of residence : 2022, Norwegian Association of the Arts (Kunstnerforeningen)

Literature

Roy De Forest

Year/s of residence : 1977, Cité internationale des arts

Visual arts

Jean De Gaspary

Year/s of residence : 1994, Ministère de la Culture - Direction générale de la création artistique, France

Visual arts

Claire De Gastold

Year/s of residence : 2006, Alumni Association of the Ecole Nationale Supérieure des Arts Décoratifs, France

Visual arts

Anne De Geer

Year/s of residence : 1996, 1997, 2007, 2008, 2012, Cité internationale des arts, KRO / KIF Artists, Sweden

Visual arts

Fiorella De Giacomi

Year/s of residence : 2024, 2–12

Theater

Fiorella De Giacomi is an Argentine artist, director, writer, and performer. She has lived and worked between Paris and Buenos Aires since 2017. Her research, through writing, contemporary dramaturgy, and direction, centres on performative interventions in non-conventional spaces, site-specific and participatory theatre, and territorial theatre with diverse communities in different contexts .

Her works question historical constructions, using narrative tools in situ to explore identity, immigration, and borders. Programmer and producer of the Dramatines reading cycle, for the dissemination of Argentine playwriting in France .

She is currently a resident of the 2/12 programme to work on creating a site-specific play in an educational setting, addressing polycrises and the climate crisis. For this project, she collaborates with the Parisian company 359 Degrés and the Argentine artistic collective MARTE, with support from CENTQUATRE-PARIS, the Institut français d’Argentine, and the city of Paris .

Seeking another way of working, both in international cooperation and by conceiving site-specific scenic creation as a form of territorial and sustainable production, she develops scenic tools to create collective fictions, community involvement in the creative process, and co-participation of the spectator in her attempts at scenic protopias. She considers theatre as a bastion of collective forces for transformation, ritual, and healing .

© Mariano Rapetti